I’m not sure what to make of Gaby Hoffman’s “Honorary Jewess Triple Crown,” but I’ll take any opportunity to reiterate and celebrate how fantastic Abbi Jacobson and Ilana Glazer are, and what a radical (double meaning intended) movie Obvious Child was.
Jewish women have generally done well in America. From Emma Goldman to Erica Jong, Susan Sontag to Pink, they have broadened our cultural horizons. Sure, they are often portrayed in the media as JAPs (Jewish-American Princesses), like Cher in Clueless and Fran on The Nanny — or else, god help us, as the overbearing mother or background sister to a creep like Portnoy. But who isn’t stereotyped on the big screen? At such a tiny percentage of the population, it’s impressive Jewish women make an impact at all.
2014 has been different, though. 2014 was the year that Jewish women got their hands on the wheel – not the mainstream-media wheel, exactly, but still, the wheel of a perfectly functional, increasingly visible car — and drove off in a new direction, with all the exhilaration (but, thankfully, none of the impending doom) of Thelma and Louise, as Harvey Keitel’s police…
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